Suyash Dwivedi - Wikimedia, CC BY-SA 4.0, via Joshua Project
Unreached people group Frontier
The Rathawa are a tribal people from the highlands of western India, concentrated in the forested regions of Chhota Udaipur and Vadodara in the state of Gujarat, with families also found in Madhya Pradesh and Pakistan. Officially recognized as a scheduled tribe, they have lived for generations tied to the land: hills, forests, and rivers that have shaped their way of life and identity.
They speak Rathwi, a language of their own that blends elements of the Bhil languages with the Gujarati of the surrounding region, and use Gujarati or Hindi to communicate with outsiders. This linguistic blend is a portrait of who they are: a people rooted in their own culture, yet in constant contact with the world around them.
What stands out most in their identity is their art. The Rathawa are known for Pithora paintings, colorful ritual murals featuring horses, deities, and ancestors that cover the walls of homes, and for traditional dances such as the Chuum Jhum, which mark festivals and community gatherings throughout the year.
Rathawa oral tradition points to an origin in Madhya Pradesh, from where they migrated to the lands of Gujarat back in the Middle Ages, seeking out the forest and hill regions known as "rathbistar," a term believed to have given rise to the people's own name. Scholars have raised possible ties to the Bhils, another major tribal people of the region, but the Rathawa themselves tend to reject that association, asserting a distinct identity.
Over the centuries, the isolation of the Satpuda and Vindhyachal forests allowed them to preserve their own language and customs, even as the Hinduism of the surrounding plains gradually became a central part of their religious and social life.
| Country | Share of the people | Population |
|---|---|---|
India Unreached
|
98,8%
|
686.000 |
Pakistan Unreached
|
1,2%
|
8.300 |
Rathawa life revolves around the land: subsistence farming supplemented by gathering, fishing, and hunting in the nearby forests. Villages tend to bring together groups of families in clans, organized along patrilineal lines, with marriage preferably taking place within the people group itself. Around thirty distinct clans make up the community, each with its own role in social life and family alliances.
Hospitality and clan ties sustain community life, and the large regional fairs, such as the one at Kavant, are occasions for gathering, trade, and celebration that bring together families from distant villages. It is also on these occasions that the people’s art and dance find public space, beyond the household rituals.
Rathawa faith is predominantly Hindu, but it retains a distinctive trait of its own: the worship of Baba Pithora, a central deity honored through ritual paintings made on the inner walls of homes. The painting arises from a vow: in times of hardship, a family promises Baba Pithora that, if their request is granted, they will paint his praise on the wall of the house. Horses, deities, and ancestors share the same mural, joining the spiritual world with the family’s daily life.
This ancestral devotion exists side by side with broader Hindu practices and festivals, without one fully replacing the other. For the vast majority of the Rathawa, faith remains a matter of family and village, passed down from generation to generation through ritual, not written doctrine.
The Rathwi language already has portions of Scripture and, more recently, the complete New Testament, a significant step forward for a people who historically had the Word out of reach in their own language. A Jesus Film and a mobile app in the language also exist today. Even so, the complete Bible is not yet available in Rathwi, and illiteracy and the isolation of the villages remain real obstacles keeping these tools from reaching families and being truly understood.
Among the Rathawa, belonging to the people is deeply tied to clan life and the household rituals surrounding Baba Pithora: breaking with these practices can mean breaking with one’s own family and community. The isolation of villages in the forest and hill regions, combined with a low literacy rate, limits contact with any new message, including the gospel, and the near total absence of local churches makes a first encounter with a Christian a rare event in the life of most.
A life tied to subsistence farming leaves Rathawa families vulnerable to droughts, poor harvests, and a lack of access to basic health and education services in the more isolated regions. The low literacy rate also makes it harder to access any written material, including the New Testament already translated into their language.
From a spiritual standpoint, the Rathawa people lack the presence of Christian community and discipleship in their own language: the few who follow Jesus today walk out their faith almost entirely alone, without a local church or nearby support to help them grow in what they believe.
A handful of Rathawa have already responded to the message of the gospel and now follow Jesus, a significant step for a people who until now had almost no Christian witness at all. The recent arrival of the complete New Testament in Rathwi, together with the Jesus Film and an app in their own language, opens new paths for more families to encounter the Word on their own cultural terms.
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